thezerofire
Banned
dang that's legitimately goodhttp://www.factmag.com/2016/07/27/wolverine-adamantium-rage-first-grime-instrumental/
"The world's 'first' grime instrumental has been found in a 90s Wolverine video game"
dang that's legitimately goodhttp://www.factmag.com/2016/07/27/wolverine-adamantium-rage-first-grime-instrumental/
"The world's 'first' grime instrumental has been found in a 90s Wolverine video game"
I've been meaning to get into Legowelt but he puts out so much stuff I don't even know where to start. Anyone know what I should listen to first?Legowelt remix of David Bowie and the Pat Metheny Groups "This Is Not America".
https://soundcloud.com/legowelt-official/this-is-not-americasmackos-emax-discoremix
Free mp3/wav here: https://nightwindrecords.blogspot.co.uk/2016/08/this-is-not-america-smackos-emax.html
I've been meaning to get into Legowelt but he puts out so much stuff I don't even know where to start. Anyone know what I should listen to first?
His output is very varied, covers most genres of electronic music and is spread over so many different labels. Do climb that mountain, godspeed!I've been meaning to get into Legowelt but he puts out so much stuff I don't even know where to start. Anyone know what I should listen to first?
The album Clark by Chris Clark, maybe? Here are a few tracks of it:So, I've been returning to Jon Hopkins - Immunity a lot recently. Can anyone recommend similar albums?
Goddamn, anyone liking glitchy trap, IDM, bass music and electronica ought to check out this album teaser:
Pixelord - Human.exe
I started drifting away big-time from this kind of music, but this teaser is friggin' amazing. Huge variation in the tracks, loving it. Definitely for fans of Deft, Clark, Lorn and similar artists.
So, I've been returning to Jon Hopkins - Immunity a lot recently. Can anyone recommend similar albums?
45 Minute doublepack featuring some of the most engrossing House music you'll likely hear this year or any other - First in a series of three releases pairing original material by Will Long with DJ Sprinkles overdubs.
Tokyo, Japan-based American artists, Will Long and DJ Sprinkles, present sublime, durational deep house studies examining the dancefloor in light of contemporary socio-political inequalities and failed illusions of Revolution and Progression.
It begins a series of three vinyl sets and eventually a 2CD package that effectively compare deep houses original, economical aesthetics and function as the soundtrack to marginalised society, with its current position; repackaging and overproducing the same old ideas with empty sloganeering, operating as the catalyst of social trends, rather than an agent of social transformation.
They both make their point subtly but clearly. Two sides feature extended 10+ minute tracks by Will Long, created using relatively minimal means of rhythm composer percussion, polyphonic synth chords, and rack sampler vocals, while the other two sides provide overdub Sprinkles versions.
The beautifully absorbing results - which sound miles away from Longs gentler ambient and experimental work - prove that it is possible to elicit subtle yet optimal responses with a well-selected palette of grooves and samples, in this case from Jesse Jackson and Rap Brown, rather than current vogue for showmanship and more-as-more arrangements.
DJ Sprinkles' overdubbed contributions quite literally and psycho-acoustically resonate that intention, tactfully rending a farther, lush physicality and soulfulness thru deftly applied daubs of glutinous subbass pressure, airy strings and subtly shimmering FX, really offsetting Long's trax in a whole other dimension; and via disciplined, stripped-down, full-bodied production values that rank as perhaps the deepest yet in Sprinkles already perfectly formed canon.
They could be taken as a call for humbleness and meditative efficiency over cliched buildups and preening vanities, perhaps a comment on deep" house as the equivalent of a fresh tattoo or sweatshop t-shirt slogan.
Because, you know, it really does stand for a lot more.
Cream Soda's album is pretty amazing. A nice house album that covers different moods and sounds while keeping everything banging.
https://boomkat.com/products/purple-blue-long-trax-ep-1
Will Long, Dj Sprinkles
Purple / Blue (Long Trax EP 1)
I had to get it.
fuck yes it is, completely blind-sided this morning when I listened
and congrats John!
is it the one that came out in March?Cream Soda's album is pretty amazing. A nice house album that covers different moods and sounds while keeping everything banging.
is it the one that came out in March?
Bought my copy earlier this morning :3 Can't wait!
Big ups on the mention, Johnlenham!
First mix.Ever.
Track list:
Girl Unit- Wut
Girl Unit- Showstoppa
Subfocus- Could This be Real (Joker Remix)
Stardust- Music Sounds Better
Daft Punk- One More Time
Sometimes I realize – Engineers (Sasha Invol2ver)
The Rice Twins - Can I Say
Yasmin & Jamie XX - Touch Me
Benny Benassi ft. Gary Go - Cinema (Skrillex Remix)
Chase & Status - Flashing Lights (Feat. Sub Focus & Takura)
Deadmau5 - Faxing Berlin
Feel free to destroy it, I had no idea what the hell I was doing for the most part haha I just wanted these songs (as they relate to friends) in some semblance of order!
vinyl is hard as fuck to mix. still practicing that, not looking to be good at it for like yearsLol. Realised that I can pretty much chart more or less all of my interations with dance music via this thread.
2011: I made a mix using some weird software and had no concept of beat matching or BPM or key or anything lol
2016: Ive run a music night for 2 years+ played in one of londons best clubs, had a party at one of the biggest "bass" festivals in the UK, had a mix on Irish radio (aha)
Quite surreal looking back.
Still cant mix vinyl tho
Lol. Realised that I can pretty much chart more or less all of my interactions with dance music (after years of just being a "band" guy) via this thread.
This ones from 2011 but I think my earliest is from 2010 I think. I wish I still had it haha
2011: I made a mix using some weird software and had no concept of beat matching or BPM or key or anything lol
2016: Ive run a music night for 2 years+ played in one of londons best clubs, had a party at one of the biggest "bass" festivals in the UK, had a mix on Irish radio (aha)
Quite surreal looking back.
Still cant mix vinyl tho
I know like four people now who were in Joshua Tree in the last two weeks. It is indeed a beautiful place to dropWent to Joshua Tree this weekend, dropped, and listened to Daniel Avery's Dekmantel podcast mix. Highly recommended (all of those things).
Seriously freaking out about the latest Akasha System tape on 100% Silk: https://akashasystem.bandcamp.com/releases
It's fucking SPECTACULAR.
I really liked that Motion Graphics albumPlaying this a ton lately, it's so good and not nearly long enough.
Also really into the Sprinkles/Long collab, Motion Graphics, and Acronym's new one.
fabric closed
it just seems like the older generation is actively waging war on youth culture. there's no desire to understand or to reduce harmAbsolutely gutted about the news. Such bullshit to say that the club has a culture of drugs within it that's uncontainable. Just a horrible, horrible excuse to close down the club after it already went out of its way to do what was asked of them and MORE.
Absolutely gutted about the news. Such bullshit to say that the club has a culture of drugs within it that's uncontainable. Just a horrible, horrible excuse to close down the club after it already went out of its way to do what was asked of them and MORE.
a dude OD'd on coke in a hotel yesterday, the same day as the decision, of course there's no way the hotel would closeI bet there's drugs in most pubs too.
But they don't have the same stigma.