I've stated my opinions/thoughts on the new UY but my 'hope' is that a resurgence in popularity will help push the release of the blu-rays for the original this coming year. Lum cosplayers? I know that was big even on into the late-90's but...do people still cosplay anymore?New UY is... something. OG UY was already short episodes and they basically shortened things down further. The animation is nice and different at least. Either way I won't complain about more LUM, and the eventual resurgence of Lum cosplayers.
Your story of Video Girl Ai being forgotten sounds much like the second to last episode. I won't give away spoilers if kunonabi hasn't watched it before. But we know Ai comes from a VHS. In the real world...VHS is gone. Not gone entirely but it's a form of media that ceased production and is never coming back. So, 2nd to last episode of the OVA, Ai disappears too. Like I said, there's comedy in it but it gets very heavily dramatic toward the end of the OVA.Video Girl Ai is one of those anime’s I just never got too way back when. Sadly I want to watch now but it’s missing on all the streaming services in Japan. A shame too, would love to watch that finally.
As for the UY remake first episode, they certainly made some interesting decisions and it it feels very modern in comparison to the original. I enjoyed it but yeah the condensed time of the episodes and the rapidness of it all is something to get used to. The original is still the best but it will be interesting to see how the series goes as more episodes air. I love how they also got the original Ataru and Lum into the show.
do people still cosplay anymore?
Lum cosplay like Valonquar brought up was something before the big conventions and fandom. I figured fandom was still around but maybe because I was never really involved in anime fandom. So, that likely means the conventions are still going on too?In the US? Absolutely. Heck, there are probably way more anime cosplayers than ever before given its massive boost in popularity over the last decade. I mean, one of the signs that Chainsaw Man was going to be the biggest hit of the year was the fact that tons of cosplayers of the characters have been seen at conventions this year BEFORE the anime aired. That’s unheard of for a series, it always takes the airing of the anime before you see a significant number of cosplayers for it.
Video Girl Ai was one I put off for years but it was worth waiting for. It's not too long like most OVAs and follows pretty close with most of where the artist wanted it to go. Someone else in the thread can probably tell you where production credits had like members to those who'd worked on DNA² or 3 X 3 Eyes.
Regarding the comment on the Ranma OVA where Miss Hinako transforms. I doubt the 'little girl' face would change with the modern trends if they tried this today. That's one I can't explain at all...why are modern anime women drawn with the faces of young girls.
Video Girl Ai is shounen romance but had better creative writing than many others. It's not everyone's preference in anime but many folks here like the genre. Myself moreso after getting married.Love the new UY OP : the song is nice, the Space Invaders, the references to the PCE, Gameboy games...
Another nice work from Shingo Yamashita
I love the OST and the background art from the Video Girl Ai OVA, but I'm really not a fan of shounen romances... :/
Interestingly enough, the Ranma 1/2 anime was a major milestone in the transformation of anime industry toward otaku pandering and sexual gratification. I mean, compare the first episode vs the stuff we had in merchandising by the time we reached the second movie, the Doco idol group, etc
80s anime was full of sexy, buxom ladies (Tsukasa Hojo, to begin with), but the era saw also the rise and the establisment of the lolicon movement among hardcore fans
I don't think he's saying Ranma is responsible for lolis just that they sprouted up in the same period. That said I don't think Ranma 1/2 really had that much to do with increased sexualization. Like it's super tame and hardly ever that titillating in its presentation unless it's serving a purpose like Hinako. If anything it undercuts sexualization of the characters especially compared to way harder stuff elsewhere. Not always to be fair but most of the time. That Nabiki vacation op is probably the most fan servicey it gets and even that isnt that too bad.Video Girl Ai is shounen romance but had better creative writing than many others. It's not everyone's preference in anime but many folks here like the genre. Myself moreso after getting married.
Not sure of your point with Ranma 1/2. Rumiko wasn't a screenwriter but did author most of the stories in manga prior to them becoming OVA and creative direction in the movies. Is that just a photo or did you watch the 2nd movie?
This threada not about that and I politefully disagree that Ranma 1/2 led to the creeps and fandoms of today. Likewise, respectfully don't bring in topics related to loli in this thread. Again, I own every media release of Ranma and have never seen anything baiting lolis. kunonabi you've likely been watching Ranma 1/2 as long as myself. Would you agree?
At any rate, I have never read it in any of the 37 pages of posts in this thread. Let's not go down that foxhole Thank you.
That was my point. There was nudity in Ranma 1/2 and light innuedo but it wasn't over the top. I like Go Nagai but if you're going to call out over sexualization...why not just blame him? If you've seen some of the OVAs released for lesser popular stories he wrote, you might have something there. Likewise agree that the movie had some fan service but I watched it not long ago. Aside from a few scenes in the opening and the part where Ranma is in the harem (as girl Ranma...), just not seeing it in the majoritybof the movie.I don't think he's saying Ranma is responsible for lolis just that they sprouted up in the same period. That said I don't think Ranma 1/2 really had that much to do with increased sexualization. Like it's super tame and hardly ever that titillating in its presentation unless it's serving a purpose like Hinako. If anything it undercuts sexualization of the characters especially compared to way harder stuff elsewhere. Not always to be fair but most of the time. That Nabiki vacation op is probably the most fan servicey it gets and even that isnt that too bad.
New Cutey Honey OVA was great but there was this Go Nagai based OVA (don't remember the name) but it had anything and everything in it, which may have served as more of a point. I think Space or someone posted on it some 12 or more pages back. Speaking of New Cutey Honey, I remember the opening being in Engrish but didn't sound too bad.Them Cutey Honey OVAs tho. Man haven't watched those in a minute.
The OVA in question might be CB Chara Nagai Go World (wiki link); a DVD release from Discotek is still generally available, under the title Go Nagai World--the series is nonsensical fun, but possibly a bit awkward, owing to the super-deformed aesthetic. As for Shin Cutey Honey, the first opening was still in Japanese, second opening was English and does sound fairly natural to start but eventually gets a bit Engrish-y.here was this Go Nagai based OVA (don't remember the name) but it had anything and everything in it, which may have served as more of a point. I think Space or someone posted on it some 12 or more pages back. Speaking of New Cutey Honey, I remember the opening being in Engrish but didn't sound too bad.
That's it. Thank you.I don't think he's saying Ranma is responsible for lolis just that they sprouted up in the same period.
Sure, from Harenchi Gakuen onward sexualization and violence have always been Go Nagai's brand.I like Go Nagai but if you're going to call out over sexualization...why not just blame him? If you've seen some of the OVAs released for lesser popular stories he wrote, you might have something there. Likewise agree that the movie had some fan service but I watched it not long ago. Aside from a few scenes in the opening and the part where Ranma is in the harem (as girl Ranma...), just not seeing it in the majoritybof the movie.
Likewise, I felt I may have read some of that out of context. Otaku culture grew for sure by the 70's to say the least but it didn't seem to become an international thing until France, Italy and some of the other Europeon countries started seeing shows like Fist of the North Star, Mazinger, MSG, and other run on TV and eventually home video.That's it. Thank you.
Sure, from Harenchi Gakuen onward sexualization and violence have always been Go Nagai's brand.
I shouldn't try to talk in a language I don't master at all. What I had in head is a long process of fetishization of otaku culture from the 60/70s to the early 2000s, of which Ranma was only a step along the way, that's all.
Watch it. It's the best in the series and pretty easy to find. If you're going physical, I'd have to ask J JunkerWoland what they may have enhanced with Discotek's release. I still own the 2nd AnimeEigo release.How's the og Bubblegum Crisis? I have only ever seen tokyo 2040. Which I loved.
How's the og Bubblegum Crisis? I have only ever seen tokyo 2040. Which I loved.
Glad I stuck with my original 4-disc boxset. Quite a few bonus features and for the time...picture really isn't that bad.If you're coming to Bubblegum Crisis from Tokyo 2040, something to keep in mind is the OVA does not have an ending, discounting the lackluster and rushed follow-up series that is Bubblegum Crash. This isn't meant to dissuade anyone from watching the series, but it's good to understand what you're getting into and that Bubblegum Crisis and Tokyo 2040 are much different experiences.
Like the previous VHS & DVD releases in the US, the Bubblegum Crisis Blu-ray also comes courtesy of AnimEigo. The company initially released the series as a Kickstarter project; this version of the product can now only be found on the secondary market. What's currently available is a single-disc, bare-bones retail Blu-ray. People with the retail version seem happy with the video encode, but the audio was downgraded from lossless LPCM 2.0 to lossy Dolby Digital 2.0; additionally, the only extras are the music videos, which apparently play on-loop at the main menu.
Going to have to check out the blu-rays in that case. I'll sometimes watch a Clamp series for the art design and animation alone. I finished Shamanic Princess earlier this past Summer. Story was like a huge JRPG cut scene and not going to say it was great. But the animation was just rich. I'd rewatch for that alone.I used to own the Sega Saturn game for Magic Knight Rayearth. I sold it when it was only worth about $100-150 like an idiot, because now it's worth over $1000 for a US copy
Anyway, it crossed my mind again when I saw that the anime for was on amazon prime, so I thought I'd check it out. Their episodes were only in English, and looked like DVD quality, so I didn't watch anymore beyond the first episode on there. However it got me interested enough to want to watch more. So I bought the series on blu-ray. MUCH nicer video quality, and yeah the Japanese voices are a lot less distracting.
I'm only about a dozen episodes in, but I'm really enjoying it! I don't watch a lot of anime, and I'm finding I am just really enjoying this 90s style a lot more. It's got funny moments, but it's also pretty good dramatic moments too. Good balance, at least up to where I am so far.
Eh, I disagree, slightly. A lot of the production in the OG fluctuates and is inconsistent. Now I know some of the reason for this is because how each episode was spaced out, having different directors for each episode and the series had some production problems with Artmic and Youmec. Also I think that the characters were more fleshed out in 2040, I also prefer the some of the character designs over the OG and the series has a proper ending.A million times better.
It's funny you mention how Shamanic Princess was like a JRPG cut scene. Magic Knight Rayearth's narrative structure has reminded me a lot of a classic JRPG. The characters literally level up when they reach new mental fortitude. They visit towns and have encounters with minions of the main villain that feel like boss fights. Makes me even more curious to try that Sega Saturn game now to see how well it translated.Going to have to check out the blu-rays in that case. I'll sometimes watch a Clamp series for the art design and animation alone. I finished Shamanic Princess earlier this past Summer. Story was like a huge JRPG cut scene and not going to say it was great. But the animation was just rich. I'd rewatch for that alone.
I can empathize with seller's remorse on anime based video games. A few based on retro titles I sold about 6-years back were: Sword of the Berserk: Guts' Rage (Dreamcast) Ushio & Tora (Super Famicom) and both Tenchi Muyo games I had (one was on SF and the other on Sega Saturn). Not sure what they're worth now but they didn't sell low.
OG does have those fluctuations but it never stopped it from being great. It's just like Gunbuster, the budget pedered out around the last episode. Or Megazone which took some 7-years or so and different staff to complete. You could remake them with one or two studios as 'complete' but the aesthetic of the originals will still be the greatest. Now, that's opinion and in all fairness -- you all are pushing me to check out 2040 as it's the only entry to to the BC franchise that I do not own. The fact that there's debate about isn't necessarily going to persuade me it could surpass the original or A.D. Police but...sounds like it's worth a watch and I'll take you up on that =)Eh, I disagree, slightly. A lot of the production in the OG fluctuates and is inconsistent. Now I know some of the reason for this is because how each episode was spaced out, having different directors for each episode and the series had some production problems with Artmic and Youmec. Also I think that the characters were more fleshed out in 2040, I also prefer the some of the character designs over the OG and the series has a proper ending.
But other than that, the OVAs are fan-fucking-tastic, amazing fun characters, some of the best animation from 80's, and the robotic and mech animation is top notch.
Not sure, I still don't know if the original is worth watching. But the best way to find out is to set the time aside and watch it. I try to go into most series' without a bias, without reading ahead and make my own critiques. I would say that if you're a Sailor Moon fan, it'd probably help to go back and watch the original TV run and then watch the 2022 for good measure.Is Sailor Moon worth watching in 2022? I've still never seen it...
I wish there was a higher quality video of the transformations scenes in Shamanic Princess. Sometimes I wonder if Clamp should have just waited until 7th Gen and made it into a game.It's funny you mention how Shamanic Princess was like a JRPG cut scene. Magic Knight Rayearth's narrative structure has reminded me a lot of a classic JRPG. The characters literally level up when they reach new mental fortitude. They visit towns and have encounters with minions of the main villain that feel like boss fights. Makes me even more curious to try that Sega Saturn game now to see how well it translated.
That's excellent. For some reason, I'm not getting regular updates from Discotek. I'm sure it's something as simple as signing up to a newsletter or that I accidentally flagged as spam & unsubbed. We'll fix that.Wow GaoGaiGar got picked up by Discotek. I had hoped for that. Now I wish I hadn’t bought the Japanese dvds recently hahaha. Oh well, I’ll still be getting the blurays for that next year.
I encourage anyone reading the thread to check out the link that was posted above by JunkerWoland! Wow, was not expecting to see some of those releases in there. I liked the original Kinnikuman anime TV series from the early 80's but only made it through about 15 odd episodes. I saw the sequel too and the humor was...my taste; glad to see they packed all 70 + episodes into an eventual blu-ray release for 2023 Ultimate Muscle/Kinnikuman II. Hope subs are in there though...More importantly, Discotek already has GGG:Final, so this won't be a case of needing to prove viability for the OVA by getting people to buy the TV series.
In general, the company made some nice announcements on Monday, including two works by Dezaki Osamu. Anime News Network has a full rundown, for those interested (link).
Discotek also provided some updates on Gunbuster: no release date (and it's not part of their January 2023 solicitations), but they remastered Episode 6 to be closer to 16:9, rather than the 4:3-letter-boxed version that exists on the Japanese BD; they also redid the end credits of Episode 6, by restoring the Japanese text and recompositing it over the textless-HD extra from the Japanese set (for some reason, the end credits on the JP release were taken from a poor-quality analogue master (possibly because no one was willing to recreate the JP text?); regardless, both versions are available on Discotek's release). I am slightly concerned about the release's video quality. The impression is it'll only be a single disc, which looks to be packed with content, along with a full, English dub--I just hope the video doesn't noticeably suffer.
The dub is newly created for this release. As some may be aware, Gainax lost the individual music & SFX tracks to the original Gunbuster, which until recently prevented the creation of international dubs. More recently, the company recreated the series' music & SFX to accommodate an almost complete vocal re-dub, initially debuting with the Gunbuster compilation movie from 2006. For the Japanese Blu-ray release of the OVA, it includes both the 1980s audio as LPCM 2.0 and the newly created audio as Dolby 5.1. These new audio & SFX tracks are what's allowing for the creation of the English dub. As has previously been mentioned, the forthcoming US Blu-ray likely only contains the replacement track for the Vangelis parody song in Episode 1; the replacement track is also present in the newly-created Japanese audio found on the JP Blu-ray.There's an English dub of Gunbuster? Never knew that but doesn't surprise me. Sounds like the process overall may have some mixed composites...I am curious about the audio. Any mention on that?
The JP release seems to be a bit pricey. I may suck it up and buy the upcoming release but those sound like significant and uncontrollable changes to the release. Not interested in the new dub but having the audio (soundtrack)...that's a downer. SFX...yeah, I can part with that but soundtracks are a big part of how I recognize film. To be clear, if you switch the the JP audio -- you're not going to get any of the original soundtrack?The dub is newly created for this release. As some may be aware, Gainax lost the individual music & SFX tracks to the original Gunbuster, which until recently prevented the creation of international dubs. More recently, the company recreated the series' music & SFX to accommodate an almost complete vocal re-dub, initially debuting with the Gunbuster compilation movie from 2006. For the Japanese Blu-ray release of the OVA, it includes both the 1980s audio as LPCM 2.0 and the newly created audio as Dolby 5.1. These new audio & SFX tracks are what's allowing for the creation of the English dub. As has previously been mentioned, the forthcoming US Blu-ray likely only contains the replacement track for the Vangelis parody song in Episode 1; the replacement track is also present in the newly-created Japanese audio found on the JP Blu-ray.
You may not be completely following me. The new music & SFX is a recreation of the original 1980s material; the only change is the Vangelis parody song from Episode 1, which--similar to the US release on DVD--is replaced with an orchestrated piece from later in the series. Speaking on only the music & SFX, you'd need to closely compare the 1980s and 2006 audio back-to-back to notice any difference.The JP release seems to be a bit pricey. I may suck it up and buy the upcoming release but those sound like significant and uncontrollable changes to the release. Not interested in the new dub but having the audio (soundtrack)...that's a downer. SFX...yeah, I can part with that but soundtracks are a big part of how I recognize film. To be clear, if you switch the the JP audio -- you're not going to get any of the original soundtrack?
That's a story within itself too...how did they lose the soundtrack? Was the source material not legit or was it a rights issue?
I hear you. Didn't realize they 'lost' vocal, music and SFX. It could have been worse, if the source film was lost...we could have ended up with nothing more than a dated p/s VHS or LD.You may not be completely following me. The new music & SFX is a recreation of the original 1980s material; the only change is the Vangelis parody song from Episode 1, which--similar to the US release on DVD--is replaced with an orchestrated piece from later in the series. Speaking on only the music & SFX, you'd need to closely compare the 1980s and 2006 audio back-to-back to notice any difference.
What I don't believe has been confirmed for Discotek's Blu-ray is the Japanese voice options. As previously stated, the Japanese Blu-ray for the series contains the completely unaltered 1980s audio as LPCM 2.0 and the new audio as Dolby 5.1. This new audio contains recreations of the original music & SFX and an entirely new vocal dub using the same actors (except for one secondary character, whose actor had died..sorry can't remember which one). In terms of the new Japanese dub, it's not necessarily bad, but anyone familiar with the series will absolutely notice a difference--how could things not be different, everyone in the cast is 15 years older. At the moment, while we know Discotek's release will certainly feature Japanese audio, we just don't know what Japanese audio; and because international fans aren't particularly aware of the new vocal dub from 2006, no one seems to be inquiring about what specific Japanese dub is included on their set.
As for Gainax losing Gunbuster's original audio, not much is known publicly, but the company simply lost the individual music, SFX, and vocal tracks to the series. Lost as in they misplaced and can no longer locate or mistakenly disposed of them, not anything having to do with rights issues.
Well, I'll take this blu-ray over the nothing option. Which is where I'm at now given the JP blu-ray inflated something else beyond my small items disposable budget. I have this rule that if it's not a series or long anticipated OVA not to spend over $50 minus shipping. I've spent a lot of money on anime these 25 odd years...Gunbuster sounds like a great release but Im still skipping it over the episode 1 change. Looking forward to some of those other announced titles though.
There is no preexisting English dub of Gunbuster. There is also no damaged Japanese dub of Gunbuster. Gainax lost the separated audio tracks (music, SFX, and voices) to the show that were created in the 1980s; all they have is the completed audio mix, with music, SFX, and voices combined. Without those individual, separated tracks, it's not possible to create dubs in foreign languages.This brings up the question: which dub/vocal audio was damaged (not to be redundant) that matters? Was it an English & Japanese track issue or both?
For DVDs, the Japanese R2 from 2004 and the international R0 from 2006 have the original audio. Also, to specify again, the Japanese Blu-ray has the original, completely unaltered audio, including the original Japanese dub, available as LPCM 2.0.Did Gunbuster ever get a DVD release with the original audio?
I guess with the blu-ray it does come back to buying but not expecting it to be much like it was. On a positive note, at least Nadia: Secret of Blue Water got a release without getting botched up too much for a history like this.Happosai
Jonathan Clement has been floating around the anime/manga world, since the early 1990s. He currently stylizes himself more as an academic, I suppose, but he's British and did a bunch of work with Manga Entertainment.
Regarding the lost audio for Gunbuster, the interview with Clement may be a bit garbled, but he isn't pinning the issue on the UK team that handled the DVD release. Going back to the 1990s and at least following Manga Entertainment's re-release of the series on VHS, it's been known Gainax no longer had the individual music & SFX tracks to the show; unfortunately, such mentions would be buried in old magazines, fanzines, and lost to 1990s Internet newsgroups and maybe fansites.
There is no preexisting English dub of Gunbuster. There is also no damaged Japanese dub of Gunbuster. Gainax lost the separated audio tracks (music, SFX, and voices) to the show that were created in the 1980s; all they have is the completed audio mix, with music, SFX, and voices combined. Without those individual, separated tracks, it's not possible to create dubs in foreign languages.
For DVDs, the Japanese R2 from 2004 and the international R0 from 2006 have the original audio. Also, to specify again, the Japanese Blu-ray has the original, completely unaltered audio, including the original Japanese dub, available as LPCM 2.0.
We'll get to Vandred my good man OmegaSupreme but...watch the above movie. You'll thank me later.I really like Vandred for reasons I can't quite explain.
Once again it's always to bring new fans and please those who want complete and/or more faithful adaptations, I definitely saw many UY fans hyped over the new one and same could be said for other anime remakes. It's not the same as western remakes that feel like pointless retreads of the original that either add nothing new to the table or straight up ruin it. (Not saying this doesn't happen in anime, but it's a rarity) in comparison. One thing I dislike though is that companies tend to burry the originals and act like the remakes replaced them when the older versions are also worth watching most of the time, same goes with gaming remakes.All of the big anime titles are getting remade or spin-offs. Not sure what's spurring animators to do this. I don't mean to sound cliched but...it's all media no one asked for or needed. Goodness, to think some of these shows in their original run (Urusei Yatsura) ran close to 300 episodes or more...where do they suddenly 40-some years later 'find new stories.' The only anime that seems to maintain over the years of continuation in Lupin lll IMO.
It worked with spin-offs in the 90's to bring fans back to an original franchise. Or more recently with...ahem your AV...Ushio & Pika-ToraOnce again it's always to bring new fans and please those who want complete and/or more faithful adaptations, I definitely saw many UY fans hyped over the new one and same could be said for other anime remakes. It's not the same as western remakes that feel like pointless retreads of the original that either add nothing new to the table or straight up ruin it. (Not saying this doesn't happen in anime, but it's a rarity) in comparison. One thing I dislike though is that companies tend to burry the originals and act like the remakes replaced them when the older versions are also worth watching most of the time, same goes with gaming remakes.
I got this from Deviantart, this was uploaded in the early 2000's, but was made earlier since according to the description, it was already old by then. So probably circa 1996 when Red/Green came out in Japan and the U&T manga was ending. (This also explains the fanart he made for characters that weren't present in the OVAs). The "Azafuse" part of my username is also U&T related to a certain concept that's introduced late into the manga (or halfway through the new anime). I also feel they could've chose a better story for the end considering the Kamaitachi storytakes place in the middle of a big arc that turns the series into a more serialized adventure ala Pokemon. They literary had the Oni story right there and already swapped Hyou and the Gamin arround anyways so continuity wasn't a big issue. Although, Insanity of the wind is one of the best stories in the entire series so I also don't blame them.It worked with spin-offs in the 90's to bring fans back to an original franchise. Or more recently with...ahem your AV...Ushio & Pika-Tora
I really wanted to like it buy I'm not made for non-traditionally animated anime. It's just me but I work a stint in animation and I left because pay was nothing and all the talk was to get 2D staff working on 3D or Flash. I will say this, the newer Ushio and Tora probably did bring in more fans because it worked more off the manga. But the OVA is where I stay with it in film...even though the last episode could have been a better pick.
I get they want fans from past/present for UY but why not expand on one of Takahaski's more recent manga titles that haven't been animated? Yes, they do want to blur the classic which in some cases have become hard to find.
Anyway, there's always this thread when you need to discuss the grainier, cel painted retro days.
Question non-related: Where'd you find the cool AV?
I like it but if I make a custom AV for Happosai, I'll need to ink that myself. I have many ideas but nothing on paper. Yours is one which I like quite a bit though.I got this from Deviantart, this was uploaded in the early 2000's, but was made earlier since according to the description, it was already old by then. So probably circa 1996 when Red/Green came out in Japan and the U&T manga was ending. (This also explains the fanart he made for characters that weren't present in the OVAs). The "Azafuse" part of my username is also U&T related to a certain concept that's introduced late into the manga (or halfway through the new anime). I also feel they could've chose a better story for the end considering the Kamaitachi storytakes place in the middle of a big arc that turns the series into a more serialized adventure ala Pokemon. They literary had the Oni story right there and already swapped Hyou and the Gamin arround anyways so continuity wasn't a big issue. Although, Insanity of the wind is one of the best stories in the entire series so I also don't blame them.